(16)空白屏幕|Blank Screen

(16)空白屏幕|Blank Screen

地點:耕莘文教院 靠辛亥路一段側
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相較於生活中充滿各種精采的發光影像,「No signal」只是一部投影機運行的初始畫面,同時也是連接影像訊號的唯一通道;面對這個畫面空檔的時候,我們通常會略過這個影像內容,因為它的意思是:「這裏還沒有東西」。我試圖再製一個日常所熟悉的數位投影畫面,以手繪的物質痕跡與數位質地的視覺交集,思考影像的存在與其自身的辯證。
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Compared to various dazzling, glowing images that fill our everyday lives, "No Signal" is the initial image displayed before a projector is put to work, and it is the sole channel that leads to connection with visual signal. We often overlook the content of this blank, transitional image, because the message it deliver says, "There is nothing here just yet." I seek to recreate this familiar digital projection image, using traces from hand-drawn materials to create visual exchanges with visual contents, with the intention of examining the existence of images and their own dialectical presence.

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謝佑承

謝佑承,1992年生於臺灣宜蘭,目前就讀於國立臺北藝術大學新媒體藝術研究所,主修媒體藝術。專長複合媒體與空間裝置,近期創作多以螢光漆料與視覺經驗的錯視感知,關注虛/實、內/外空間、觀看方式的可能性,繼而探索發光體與影像之間主體位置的辯證關係。

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Yu-Cheng Hsieh was born in 1992 in Ilan, Taiwan. He is currently studying Master of Fine Arts and majoring Media Art at New Media Art Department in Taipei National University of Arts. His artworks specialize in mixed media and spatial installations, involving neon paint and visual experience of optical illusion in more of his recent works. By focusing on virtual/substance, internal/external space and possibilities of the way of seeing, Hsieh explores the dialectical relationship of the subject between illuminator and image.