(19)影墨之舞|Shadow Calligraphy of Dance

(19)影墨之舞|Shadow Calligraphy of Dance

地點:耕莘文教院 靠辛亥路一段側
-
身體如何行氣書寫?黑與白之間如同太極,影子好比水墨,留白如同紙張。作品刻意把影像中的影,與水墨中的黑結合,透過影像處理的堆疊,把身體的律動與水墨的「行氣」合而為一,構成一互動體感的書寫感。以影像處理的技術,對動態人物進行身體動作偵測,將動作中影像以黑色顯示,使影像的二元黑白像素,產生出一種水墨的拓印感觀。透過直覺式的互動體驗,當使用者站在作品前,身形即轉化為書法之舞。特別感謝藝術家羅禾淋之協助。
-
How to move body to write calligraphy? The relationship between black and white is like Tai Chi, the shadow as the black ink, and the white as the blank area on the painting. The artwork was intent to link the concept of the generating shadow and the black ink, to combine the body movement and the writing calligraphy by image layering, and to create an interactive embodied calligraphy writing. Using image processing technique, the artwork detects body movements of motion figures to show the motion area in black color, and enables the black and white pixels of the image generating the rubbing look as Chinese brush painting. Through the intuitive interactive experience, when users stand in front of the artwork, their figures will turn into the shadow calligraphy of dance. Special thanks for the cooperation of artist He-Lin Luo.         

yuan-copy-2
陳昭伶 Lyn Chen

陳昭伶來自台灣台北,畢業於臺灣大學資訊網路與多媒體所博士班。專長為多媒體程式設計、影像式互動藝術及互動裝置設計等。她擁有人文與理工的跨領域背景,過去以文字進行散文詩句創作;在掌握資訊技術以後,將資訊工具作為數位時代的魔法,持續進行科技藝術創作活動的公開展演。作品探討時間的流動感,人與環境時空瞬變的依存關係等超現實主題。
-
Lyn Chen was from Taipei Taiwan, and got her PhD degree from GINM, NTU. Her professional interests are multimedia programming, image-based interactive art, and interactive device design. She came from both humanist and technology background. At first, she created literary essays and poems. After understanding technology skills, she used technology tools as magic in the digital age, and kept on creating digital artworks in public exhibitions. Her artworks were focused on the Surrealism topic of time flow, and the fresh connection between human and space.